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精品推荐:越窑古瓷编钟

Recommended products: Yue Kiln ancient porcelain chimes

在1000多年前的唐朝,相传有一种宛若天籁的音乐是由一件件珍贵的越窑青瓷乐器演奏而成:越窑编钟、青瓷腰鼓、青瓷鸟哨、青瓷铃、青瓷埙、青瓷瓯……

In the Tang Dynasty more than 1000 years ago, it is said that there was a kind of music like the sounds of nature, which was played by precious celadon instruments of Yue Kiln: bell chimes, celadon waist drum, celadon bird whistle, celadon bell, celadon Cuan, celadon ou

根据史书记载和考古发现,在音乐十分发达的唐宋时期,越窑青瓷作为一种乐器演奏,在乐府的推动下,曾盛行于茶楼酒馆和皇室贵族。

According to historical records and archaeological discoveries, in the Tang and Song Dynasties when music was very developed, celadon from Yue Kiln, as a musical instrument, was once popular in teahouses, pubs and royal nobles under the promotion of Yuefu.

越窑编钟是远古击缶之乐、击殴之乐与水盏之乐的延续和发展,它是用陶瓷土制成的乐器和器皿进行建制音乐演奏,并以越窑烧制编钟为主的一种艺术表现形式和表演技艺。越窑编钟拥有深厚的历史文化底蕴。在唐宋时期,它伴随着越窑青瓷的兴盛而盛行,是封建社会音乐文化的重要组成部分。

The bell chime of Yue Kiln is the continuation and development of the music of fou, beating and water cup in ancient times. It is a kind of artistic expression and performing skill mainly by firing chimes in Yue Kiln. The bell chime of Yue Kiln has a profound historical and cultural heritage. In the Tang and Song Dynasties, it was popular with the prosperity of Yue Kiln celadon, which was an important part of music culture in feudal society.

历史上,先后有三大越窑青瓷生产中心,一是上虞曹娥江中游地区,二是慈溪上林湖一带,三是鄞县东钱湖地区。三大中心,以慈溪上林湖为最盛。从遗址的情况看,上林湖越窑遗址堆积丰富,规模宏大,时间跨度大,因而被称为“露天青瓷博物馆”。迄今已经发现的7处东汉晚期至三国时期的窑址表明,早在东汉时,上林湖就已成功烧制出大型的罐、坛等日用青瓷器皿。瓷器纹饰简古,造型淳朴,制作技术已经相当成熟。

In history, there were three major celadon production centers in Yue Kiln: the middle reaches of Cao'e River in Shangyu, Shanglin lake in Cixi, and Dongqian Lake in Yinxian county. Among the three centers, Cixi Shanglin lake is the most prosperous. From the perspective of the site, the site of Yue Kiln in Shanglinhu is rich in accumulation, large in scale and long in time, so it is called "open-air celadon Museum". Up to now, large-scale celadon wares were found at the site of Donghu in the late Three Kingdoms period, which indicated that large-scale celadon ware had been successfully made in Donghu in the late period of the Three Kingdoms. The porcelain decoration is simple and simple, and the production technology is quite mature.

而今,在全国各地陆续出土的100余件(组)各个时期的越窑瓷器遗珍,从这些展品中,能清晰地看到一部完整的越窑瓷器发展史。烧制了千年,消逝了千年,在千年的辉煌与千年的落寞之后,越窑瓷器再次回归,重放光彩。

Today, more than 100 pieces (groups) of Yue Kiln porcelain relics of various periods have been unearthed in various parts of the country. From these exhibits, we can clearly see a complete history of the development of Yue Kiln porcelain. After thousands of years of porcelain, the porcelain disappeared again.

此件越窑编钟是越窑典型器物之一, 它历经水与火的洗礼,曾经的记忆正在化为今日的传奇。越窑编钟这种中国瓷乐中最古老、最有代表性和最具特色的封建乐器,在千年之后,终于重新展现在世人面前。

This chime bell of Yue Kiln is one of the typical utensils of Yue Kiln. It has experienced the baptism of water and fire, and its memory is becoming a legend today. The bell chime of Yue Kiln, the oldest, most representative and most distinctive feudal musical instrument in Chinese porcelain music, finally reappeared in front of the world after a thousand years.

乾隆皇帝曾感叹“李唐越器人间无”,说明越窑瓷器不仅在现在非常值得收藏,在古代封建社会世人也是对越窑瓷器相当推崇,此件越窑编钟不仅对研究封建社会音乐文化有深远的意思,还能对研究古越窑瓷器研究提供极高的价值。

Emperor Qianlong once lamented that "there are no Yue wares in the Li and Tang Dynasties". This indicates that Yue Kiln porcelain is not only worth collecting now, but also highly praised by the people in ancient feudal society. This chime bell of Yue Kiln not only has far-reaching significance for the study of music culture in feudal society, but also provides high value for the study of ancient Yue Kiln porcelain.

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